![]() (This sounds like one of those cheep computer games doesn’t it?) It contains a coin that she uses to open the door. She jumps over and retrieves the piggy bank. Aeon walks in just as he closes the door. If he falls, he will fall directly onto the railway track as this carriage doesn’t have any floor.īambara walks in, grabs the kiddie, ties him up with the trapeze and somehow manages to get to the other side. ![]() He is trying to grab a piggy bank that is perched on the doorframe of the wall of the next compartment. I the next compartment, we see a child swinging on a sort of trapeze. I don’t quite know why, but you can guess it’s not because she wants to give him a big kiss. For a woman with no conscience, she demonstrated a mild compassion for the poor bloke.Īeon is chasing the big, fat, ugly Bambara. Don’t you just hate it when that happens!? Aeon Flux fires a shot at Bambara from the hole in the wall and follows fat boy stopping only to pass the role of toilet paper to the stranded geezer in the cubicle. A laughing fat boy called Bambara is just closing the door behind him and some poor bloke is stranded in a cubicle without any toilet paper. The show opens with a gaping hole in the wall, on a toilet, in a train (with me so far?). This bittersweet episode does have a terrific storyline however and, whatever you feel about the ‘funny’ bits. I think it tries to be a little more humorous with the storyline, but every time something funny happens, it seems to be tempered with a sharp and nasty irony. Themes of tragic/forbidden love run through out the series as Trevor has everything but what he truly wants, Æon, and Æon can accomplish anything she wants except killing Trevor.“ Aeon is on the trail of the ill-mannered criminal brute, Bambara….“ The names of their respective characters reflect this: Flux as the self-directed agent from Monica and Goodchild as the self-appointed leader of Bregna. The two cities engage in a futile never ending war for ideological supremacy while Monica represents a dynamic nihilistic anarchist society where rules do not exist, Bregna embodies a centralized scientific planned Orwellian police state. Her mission is to infiltrate and destroy the strongholds of the city of Bregna / ˈ b r ɛ n j ə/, which is led by her sworn enemy, and sometimes lover, Trevor Goodchild, the technocratic dictator of Bregna, whose citizens are called Breens. ![]() The title character is a tall, sexy, dominatrix scantily-clad secret agent from the city of Monica, skilled in espionage, assassination and acrobatics. The setting comprises a bizarre dystopia populated by mutant creatures, clones, and robots set within the two separated border wall cities of Monica and Bregna. Æon Flux is set in a surreal German Expressionist style futuristic universe. Each Episode plots have elements of social science fiction, biopunk, allegory, dystopian fiction, spy fiction, psychological drama, postmodern visual, psychedelic imagery and Gnostic symbolism. Æon Flux was created by American animator Peter Chung. In 1995, a season of ten half-hour episodes aired as a stand-alone series. It premiered on MTV's Liquid Television experimental animation show, as a six-part serial of short films, followed in 1992 by five individual short episodes. ![]() Æon Flux / ˌ iː ɒ n ˈ f l ʌ k s/ is an American avant-garde science fiction adventure animated television series that aired on MTV from November 30, 1991, until October 10, 1995, with film, comic book, and video game adaptations following thereafter.
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