Specifically, 24-bit wav files at the mix master source sample rate. What makes MFiT unique is that Apple is asking for high-resolution digital audio assets. These include a simple utility that allows you to create AAC masters to audition. A suite of simple tools that assist in the creation of those premasters.A detailed specification for providing iTunes or an aggregator with digital audio premasters (not masters).In 2012 much ado was made over Apple’s Mastered for iTunes (MFiT) program, but most of the commentary failed to address anything that a producer or self-produced musician might actually need to know. The table shows a selection of some of the most widely used digital distribution channels, and the premaster materials they accept. They have their own internal processes, and in some cases proprietary tools, for creating (mastering) encoded formats themselves.ĭigital music outlets like iTunes and Spotify, and the aggregators that connect independent musicians with them, want digital audio premasters. Mastering for digital distribution isn’t really mastering, because the vast majority of digital distribution channels don’t want encoded deliverables like MP3, AAC, etc. Mastering includes the creation of digital delivery media from the previously separate digital audio and consumer metadata resources. Mastering, which is the process of creating the delivery media that will allow the audience to access the material.Premastering answers any questions related to what the project is going to sound like. Premastering, which encompasses all of the aesthetic decisions related to preparing a set of mixes for an audience.The so-called ‘mastering’ process is actually two related, but operationally discrete sub-processes: This article will help you know what to ask for from your mastering engineer. Mastering for digital distribution isn’t really mastering at all it’s premastering. A Guide to Mastering for Digital Distribution
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